Tag Archives: Q&A

On The Road With Joel Addams

Joel Addams is an adventure photographer who doesn’t shoot hardcore action, a travel photographer who gets up close and personal to his subjects. He’s an editorial and commercial photographer, a professor and a student, a curator and an artist. He is a multi-talented creator of imagery that uses emotion and mood to focus on details, like stones on a cairn, or on a more grand scale, like the magnitude of a mountain. His dream-like photos are imbued with a sense of calm and stillness, the moments influenced by his cinematography sentiments.

You can see more of his outdoor, lifestyle and travel images here.

The Dolomites of Cinque Torri are seen outside a dining area of a rifugio.

Aurora Photos: Can you speak to the premise behind your course at the University of Utah, “Photography as Communication, Art and Catalyst”, and the fascination with the art of observing vs. seeing?

Joel Addams: I was given a unique opportunity to teach in the Honors College at the University of Utah. I taught in a fashion course that looked at photography in the 20th century as much more than pictures: as a method for social and political change, and a mode of fashion styling and propagation, as a personal expression. We looked at war photography, fashion photography, art photography, commercial photography, and everything in between. It was interesting for me to delve deeper into those areas. I probably learned more than the students, to be honest. It’s amazing how photography is such a part of the historical record, but more than that, is a mode of change as well.

Two Nepali couples view Kathmandu from Swyambu Temple

[Au]: In 2014 you released the “Before I Burn” documentary about cornea extraction in Nepal. What brought you to this subject matter? How has being a still photographer informed your abilities as a filmmaker?

JA: I was in Nepal in 2006 when I was doing ophthalmology research at the Tilganga Eye Institute in graduate school. I was taken to the Pashupatinath Temple across the road to see the cremations and how the technicians worked. For “developed” countries, we are not used to the processes around death, but in Nepal and many other countries, the families prepare their relatives after they die, transport them to the temple for cremation, and perform most of the rites around the funeral. I was fascinated by the process around this, the visually interesting process and closeness of the family to their deceased loved ones. Then of course, following the corneas (just the thin clear outer portion of the eye) into surgeries and seeing the positive results was fascinating. I shot around this subject matter with the access of the hospital, and then wanted to film the process later on, starting a documentary in 2010 and finishing in 2013. Still photography was an excellent way to learn techniques of cinematography and the difficult process of learning how to tell a story visually. Filmmaking involves so much more to think about for documentary work with each portion of filmmaking its own world. Now I try to involve as many professionals as possible in my filmmaking.

A smartphone is held in the hands of a Buddhist monk in Nepal.

[Au]: It appears you have a deep respect and appreciation for all concentrations of art, even curating your own personal collection. What do you look for when purchasing a new piece? How do these pieces mesh with your own work?

JA: I’ve met a lot of photographers and filmmakers who look to other media for inspiration. Writing, music, film, painting, sculpture are very inspirational to me. Several good friends of mine, Zachary Proctor, Lane Bennion, CJ Hales, are all professional painters and have really been inspirational in terms of career, artistic understanding, and new ways of seeing. I would say their friendships have been invaluable to photography and filmmaking for me. I collect paintings for so many reasons. Maybe I love it because it has a quality that is so different from a photograph. I don’t choose paintings: they choose me! I don’t have specific things I look for. I’m not sure I know how my tastes in paintings mesh with my own work, though I think over the years, we have sometimes influenced each other.

The Grandview Overlook in Canyonlands National Park is a vast sea of desert.

[Au]:  What ignited your passion for the outdoors, and how has it broadened your creative perspective?

JA: My dad was brought up fishing the rivers around Pinedale, Wyoming and then he started backpacking the Wind Rivers – something that became rather sacred for my father. He never wanted to backpack anywhere else, actually. He started inviting me along around the age of ten, before we had any fancy outdoor clothing. We backpacked in jeans and t-shirts and external frame backpacks. I think we all enter photography from a love of something, and for so many of us, landscape photography is a beautiful entrance. Over the years, I have loved the exploration into other areas of photography, but will never pass up a good landscape. There is something really calm and fulfilling about being alone in the outdoors in good light. Don McCullin seems to have found a space in the landscape again after his many years of photographing war. It seems like a place we can all go to return to something.

A young woman wearing a winter hat holds a coffee mug outside.

[Au]:  Given your experience in both photography and educating others through workshops, what are some life lessons that you want to share with budding photographers?

JA: People starting to photograph seriously should look at as many photographs and photographers as possible early on. It seems important to explore all the avenues of photography; they’re so different. In addition, I worry sometimes when photographers seem guided by the concept of “what sells”. They may move away from images they really enjoy, but may take longer to establish a clientele from that particular style. The happiest and most successful photographers seem to be true to themselves and eventually find markets for their photography. I remember that I was scoffed at very early on for exhibiting a large portrait of a man in Nepal, being told by another photographer “that will never sell.” I’m glad I didn’t listen to him.

We’re also glad Joel didn’t listen! Otherwise, we wouldn’t have his fantastic outdoor, lifestyle and travel images on our site

Staying Adventurous with Kids with Kennan Harvey

You get married, you have kids, you stop going out, you watch lots of cartoons, you memorize all the words to the Frozen soundtrack. Your life becomes about your children, rather than your passions and interests.  Is it possible to do both?

Click here to see our gallery of adventurous kids

We recently asked those questions of adventure photographer and outdoorsman Kennan Harvey, who seems to be able to do it all. We emailed Kennan and waited for his answers and a headshot.  His response? “Will look for a good headshot, but first I need to cut some firewood for next season.”

A young girl camping in Glacier Gorge, Rocky Mountain National Park, Estes Park, Colorado.

Aurora: You’re an avid outdoorsman and climber – you were once named one of America’s top 10 best climbers by Climbing Magazine. What inspired you to become an adventure photographer, and who or what inspired your love of the outdoors?

Kennan Harvey: My love for the outdoors matured in the deep woods of western North Carolina while home schooled and living simply without electricity – our family even went car-less for several years. My mother worked for Outward Bound and introduced me to climbing. During the 70’s backpacking was almost a national pass time. We walked a lot. Ambling along a trail, with unknown corners ahead lined with green Appalachian lushness helped me develop the keen observation skills necessary for striking images. My transition to photography was initiated through a mentorship with landscape photographer Pat O’Hara, who helped satiate my wanderlust after college in exchange for help hauling his large format gear far into the wilderness. During the late 80’s there were a handful of adventure photographers such as Galen Rowell, Chris Noble and Greg Epperson who showed me the possibility of turning my climbing passion into income. At the time there were no media crews or sponsored athletes so personally combining the two gave me an early edge.

A young girl standing next to al[pine lake with wildflowers,  San Juan National Forest,  Silverton, Colorado.

Prevailing wisdom tells us that youthful adventuresome ways are over once you have kids. That might go double for an outdoor adventure photographers. Has that been true for you?

Having a child only extended my photo career. First, kids are endlessly creative which forced me away from my set routines. I was 40 when Roan was born, suddenly I had more dominating youthful energy in the house. Having children is first about creating a safe and predictable environment for them to thrive, a wise parent then needs to encourage exploration in all things social, academic and physical. My wife and I both believe outdoor education is even more important than classroom learning. Adventures are fun ways to set obtainable goals and build success. They don’t have to be dangerous. But learning about risk management at an early age will be valuable for her teenage years and beyond. Breathing high mountain air may become her addiction or just a memory of youth. Until that point we are very similar to any soccer family – midweek practice followed by a weekend road trip – only to remote and quiet wilderness.

A young girl rock climbing on Grassy Ridge, Bakersville, North Carolina.

Your daughter currently goes camping and hiking with you and has started to rock climb as well. Are there any sports or activities you DON’T want her to attempt?

She really likes backcountry skiing and so we have a small beacon for her to carry. However, we are pretty nervous about steep terrain and avalanche hazard. I would certainly be nervous if she ended up in a ski movie at 18, but if she does she will have way more experience by then than I did at the time. Any sport with objective hazards is a parenting challenge for anyone, but it is important for kids to learn how to make good decisions. Luckily, she likes fun over danger and so far has shown good judgment managing risk.

Young girl walking on Appalachian Trail past rhime ice, Roan Mountain, Tennessee/North Carolina border

Many photographers use their children as free models. Your images of your daughter have an authenticity to them, they’re in the moment, and there’s a bit of wildness there. Has your daughter gotten sick of you taking photos yet?

There is a saying, “Kids don’t come with instructions!” So right at the beginning, we just went family adventuring and now Roan seems to have the bug. When a good photo materializes mid adventure, often with serendipity, fleeting and authentic, it only takes a moment to capture. Any grumpiness is easily dispelled when she hears, “A few photos now and we can start planning our next adventure!” Bringing a friends adds magic. Jumping off a rock into the water a couple times first, for example, keeps the activity organic and sometimes Roan even makes the photo suggestion.

Many might think your work isn’t really work — you get to spend so much time outdoors in nature — but the life of a photographer is often grueling, with long days and heavy equipment.  How do you maintain a good work / life balance and keep the outdoors fun? 

I recently finished climbing a granite ridgeline in a windstorm, in the winter, with skis strapped to full packs. It was way more than anticipated and we wondered about the worth. But then, after an exhausting day we topped out into 5 minutes of glorious light. Above us were dark clouds with the rays of the setting sun bouncing off of their undersides and painting a sea of alpine rock with gold. My life does have more work, but in these moments, there is balance. Parenting is no different. There are days where the work of parenting is exhausting, but then just 5 minutes of glorious light, and it makes it all worth it.

 

Young girl standing below redwoods in California.

In this age of technology, surely even your child wants to be on the computer, cell phone or watching TV.  Do you have advice for other parents who want to get their children to spend more time in nature?

In my view, technological obsession with kids is a sign of boredom. I realize all situations are different, but with 300 days of sun a year in Durango, kids around here would much rather ride a bike or the zip line, even planting peas is more fun than screen time. It also helps that we live in a solar powered house with a hard wired computer and no wireless. Photographer Ace Kvale once told me that the best way to become a photographer is to just start. My advice for parents wanting to get their kids into nature is the same, just pack the car and find a campsite.

Click here to see more photos from Kennan Harvey in the great outdoors