Tag Archives: Photography

Climate Change: Good News From the Front Lines

Fernbank Forest, Downtown Atlanta, Georgia in the background. Photographed from a drone. Fernbank Forest is a 65-acre urban old-growth Piedmont forest in downtown Atlanta, Georgia.
A view above Fernbank Forest, with Atlanta, Georgia in the background. Fernbank Forest is a 65-acre urban old-growth Piedmont forest being conserved and protected near downtown Atlanta.

The news coming out of Washington DC, in the form of the President’s decision to withdraw from the Paris Climate Accord, has been disheartening for many who are concerned about the state of our climate and environment. But there is good news, too. On the front lines of the fight against global warming and climate change, much is being done at the grass roots level, at the local governmental level, and through independent scientific research. Several Aurora photographers have been on those front lines covering the stories of positive change and bring us the following good news.

Ice storm experiments in New Hampshire, by Joe Klementovich

Researcher does research on replicated man-made ice storm damage in order to study the effects of ice storms in New Hampshire forests
A researcher from Hubbard Brook Research center examines man-made ice damage from a replicated ice storm in a New Hampshire forest in order to study the effects of ice storms on the environment.

Ice climbing, mountaineering and suffering at cold belays has prepared me well for shooting through the frigid February nights at Hubbard Brook Research center. Tucked back in the White Mountains of New Hampshire, Hubbard Brook has been studying the environment on a large scale since 1955. They were the first group that discovered acid rain back in the 70’s. The last two winters, graduate students, scientists, and researchers have been mimicking ice storms to study the effects on the forest, looking at everything from soil change to the impact on birds and insects.

Having a dedicated photography and film crew to capture the process as well as the aftermath allowed the researchers to create a library of images and video that has become critical in explaining and sharing the experiment at a public level and to the scientific community. Photographs and video were picked up on a wide variety of outlets ranging from National Geographic to the Weather Channel to the local paper.

In a day and age where science is under attack from various corners, producing a photographic record will hopefully pushed the climate change conversation into living rooms and cafes, not just the research offices, and help show the real life impacts it is creating. The experiments have been a success scientifically, but it also showed the science community that being able to effectively demonstrate their work to the world visually is just as important as the experiments.

Click here to see more photos of the ice storm experiments by Joe Klementovich

Hubbard Brook Website. http://hubbardbrook.org/overview/history.shtml 

Energy Independence at the Ashram, by Ashley Cooper

The Muni Seva Ashram in Goraj, near Vadodara, India, is a tranquil haven of humanitarian care. The Ashram is hugely sustainable, next year it will be completely carbon neutral. Its first solar panels were installed in 1984, long before climate change was on anyones agenda. Their energy is provided from solar panels, and wood grown on the estate. Waste food and animal manure is turned inot biogas to run the estates cars and also used for cooking. Solar cookers are also used, and the air conditioning for the hospital is solar run. 70 % of the food used is grown on the estate. They provide an orphanage, schools for all ages, vocational training, care for the elderly, a specialist cancer hospital withstate of the art machinary, and even have a solar crematorium. This shot shows students making a portable solar cooker. These lightweight devices were used on an expedition to the Himalayas to cook all the expeditions food.
Students at the Muni Seva Ashram i Goraj, India, make a portable solar cooker. These lightweight devices were used on expeditions to the Himalayas to cook all the expeditions food. Almost 100% of energy at the Ashram is generated through solar and wood grown on the estate.

Visiting the Muni Seva Ashram, in Goraj, India, is like stepping into a haven of peace and tranquility. The Ashram delivers services from the cradle to the grave. They provide an orphanage, infant and secondary schools, vocational training, old people’s sheltered housing, and a specialist cancer hospital with all the latest high tech equipment. The Ashram is 100% powered by renewable energies. They fitted their first solar panels in 1984, long before any one had heard of climate change. Since then they have invested in more and more renewable technologies. Solar panels, provide much of the energy, along with biofuel which is generated onsite from food waste and wood from the estate. 70% of the food is grown organically in the grounds. The two cars used by the Ashram run on biogas, and even the air conditioning in the hospital is solar powered.

Deepak Gadhia had been a successful Indian business man until his wife died of cancer. From that point on he dedicated the rest of his life to supporting the Ashram and has been the driving force behind its conversion to renewable and sustainable practices. His enthusiasm has been infectious, and his dedication to helping his fellow citizens humbling. His proudest moment of my tour was showing me the world’s first solar crematorium, designed by Deepak and built on the estate. Local religion dictates that upon death you are cremated. In the past locals have gone into the forest to chop down enough wood to build a funeral pyre. Long term, this is a destructive process that impacts on biodiversity. The large solar reflector, concentrates the suns rays on a metal box in which the body is placed. It can burn four bodies a day, leaving the local forest intact.

I left the ashram amazed by what I had seen and convinced that this has to be the way forward, it is possible to power our lives exclusively from renewable energy, and if we are serious about tackling climate change it is the only option we have.

Click here to see more photos of the Ashram by Ashley Cooper

Fernbank Forest Restoration, by Peter Essick

Southern two-lined salamander (Eurycea cirrigera), Fernbank Forest, Atlanta, Georgia
Southern two-lined salamander (Eurycea cirrigera), Fernbank Forest, Atlanta, Georgia. Delicate amphibians like salamanders are often the first affected by changing climate. Restoring habitat like Fernbank conserves critical biodiversity where urban areas might otherwise encroach.

Fernbank Forest is a 65-arce urban old-growth forest a few minutes from downtown Atlanta. The forest is owned by the Fernbank Museum nearby, but until recently few people were allowed to visit. The forest is an excellent example of a southern Piedmont forest with many species of old-growth trees, animals and native plants. However, in recent years the forest floor was overrun with invasive plants such as English Ivy, monkey grass and wisteria. Through the help of volunteers, donors, ecologists and donors the museum began a program of restoration four years ago. This past October, the forest was opened to the public and restoration efforts continue. It is hoped that over the coming years the forest can be restored to a fully functioning forest that will not only be enjoyed by visitors and wildlife, but also become a valuable asset in the battle against climate change.

I started photographing Fernbank Forest almost two years ago to document both the natural beauty and the restoration efforts. The difference to the forest floor was very evident this spring as many native wildflowers and ferns  began blooming in areas that were once covered in ivy. I hope that my photos will show that urban forests are not only vital green spaces for our environment, but can be a rewarding subject for an photographer willing to walk in the woods with their eyes open and camera ready.

Click here to see more photos of Fernbank Forest by Peter Essick

Clean Cookstoves and Solar Sister Make a Difference, by Joanna B. Pinneo

Mforo, Tanzania a village near Moshi, Tanzania. Solar Sister entrepreneur Fatma Mziray cooking dinner on her clean cookstove that uses wood. Fatma Mziray is a Solar Sister entrepreneur who sells both clean cookstoves and solar lanterns. Fatma heard about the cookstoves from a Solar Sister development associate and decided to try one out. The smoke from cooking on her traditional wood stove using firewood was causing her to have a lot of heath problems, her lungs congested her eyes stinging and her doctor told her that she had to stop cooking that way. Some days she felt so bad she couldn't go in to cook. Fatma said, ?Cooking for a family, preparing breakfast, lunch and dinner I used to gather a large load of wood every day to use. Now with the new cook stove the same load of wood can last up to three weeks of cooking. ?With the extra time I can develop my business. I also have more time for the family. I can monitor my children?s studies. All of this makes for a happier family and a better relationship with my husband. Since using the clean cookstove no one has been sick or gone to the hospital due to flu.? Fatma sees herself helping her community because she no longer sees the people that she has sold cookstoves have red eyes, coughing or sick like they used to be. She has been able to help with the school fees for her children, purchase items for the home and a cow. ?What makes me wake up early every morning and take my cookstoves and go to my business is to be able to take my family to school as well as to get food and other family needs.?
Solar Sister entrepreneur Fatma Mziray cooking dinner on her clean cookstove in Mforo, Tanzania. Fatma is a Solar Sister entrepreneur who sells both clean cookstoves and solar lanterns.

The most dangerous activity for a woman in the developing world is cooking for her family. More than three billion people worldwide still cook and heat their homes using solid fuels. The simple act of cooking causes roughly 4.3 million premature deaths per year from respiratory and pulminary illnesses from smoke inhilation.  These deaths disproportionately affect women and children who spend the most time indoors in close proximity to dirty cook stoves.

Fatma Mziray, a vibrant thirty-eight year-old Tanzanian woman, raises six children, works on the farm with her husband, runs two side businesses and cooks most of the three meals a day for her family.  Fatma has not always been this healthy and vibrant. Like others in her community she cooked over a traditional three-stone cook stove that is highly smoky. Fatma started having chest pains, her eyes were red and watery and she was always tired. When Fatma heard about an easy to use and inexpensive efficient cook stove from a Solar Sister Tanzanian entrepreneur, she bought one. Not only did she start feeling better immediately, as did her children, but she noticed that she used a fraction of the firewood as the traditional cooking method. Now she is a Solar Sister entrepreneur. herself. Working with and organization like Solar Sister provides her with extra cash to send her children onto secondary school, an opportunity she did not have. She also helps other women in her area to improve the health of their families, simultaneously lessening local deforestation and reducing carbon emissions from traditional stoves.

In 2016 I received a Ted Scripps Fellowship at University of Colorado in Boulder to study environmental journalism and research household air pollution. Through working with Ripple Effect Images, I learned about the devastating effects of household air pollution, especially on women and children in the developing world. Great progress has been made by organizations like Solar Sister to find creative life changing and life saving solutions that also make our planet cleaner and more livable. Although the stoves are not 100% clean technology, they are significantly more efficient and healthier than the three-stone method. The Solar Sister model works because not only do women like the stove, but the peer to peer effort to sell and distribute the stoves makes local women more likely to put the new cleaner stove to use.

Click here to see more photos of Solar Sister by Joanna B. Pinneo

You can  view more stories and images of climate impact, both positive and negative, in our Environmental Photography collection. Through this collection, Aurora provides communication professionals the visual resources to effectively tell the evolving story of our environment and our planet.

New Images for February

A woman hanging upside down as she is lowered from a rock climb.

February temperatures, typically the coldest in the year for us in Portland, Maine, start to give way to warming omens of spring. As the image by Mike Schirf above demonstrates, you’ve just got to hang in there! And what better way to warm you up than looking at beautiful new images?! We’ve got both kids and adults enjoying snow days, how to make friends during exotic travel, and some pretty intense workouts. There’s seaweed farmers, a farming family and the family that camps together, staying together. Perhaps you prefer climbing, high line, acrobatics or running? Or maybe it’s finding new places? There’s exploration by: foot, old-timey bicycle, beat-up truck, sailboat, raft, SUP, and skateboard.

However you choose to explore the great outdoors and the world around you, make sure you enjoy it to the fullest! See what brings our photographers joy with this curated gallery of lifestyle and the outdoors: http://www.auroraphotos.com/result?webseries_id=14734

On The Road With Joel Addams

Joel Addams is an adventure photographer who doesn’t shoot hardcore action, a travel photographer who gets up close and personal to his subjects. He’s an editorial and commercial photographer, a professor and a student, a curator and an artist. He is a multi-talented creator of imagery that uses emotion and mood to focus on details, like stones on a cairn, or on a more grand scale, like the magnitude of a mountain. His dream-like photos are imbued with a sense of calm and stillness, the moments influenced by his cinematography sentiments.

You can see more of his outdoor, lifestyle and travel images here.

The Dolomites of Cinque Torri are seen outside a dining area of a rifugio.

Aurora Photos: Can you speak to the premise behind your course at the University of Utah, “Photography as Communication, Art and Catalyst”, and the fascination with the art of observing vs. seeing?

Joel Addams: I was given a unique opportunity to teach in the Honors College at the University of Utah. I taught in a fashion course that looked at photography in the 20th century as much more than pictures: as a method for social and political change, and a mode of fashion styling and propagation, as a personal expression. We looked at war photography, fashion photography, art photography, commercial photography, and everything in between. It was interesting for me to delve deeper into those areas. I probably learned more than the students, to be honest. It’s amazing how photography is such a part of the historical record, but more than that, is a mode of change as well.

Two Nepali couples view Kathmandu from Swyambu Temple

[Au]: In 2014 you released the “Before I Burn” documentary about cornea extraction in Nepal. What brought you to this subject matter? How has being a still photographer informed your abilities as a filmmaker?

JA: I was in Nepal in 2006 when I was doing ophthalmology research at the Tilganga Eye Institute in graduate school. I was taken to the Pashupatinath Temple across the road to see the cremations and how the technicians worked. For “developed” countries, we are not used to the processes around death, but in Nepal and many other countries, the families prepare their relatives after they die, transport them to the temple for cremation, and perform most of the rites around the funeral. I was fascinated by the process around this, the visually interesting process and closeness of the family to their deceased loved ones. Then of course, following the corneas (just the thin clear outer portion of the eye) into surgeries and seeing the positive results was fascinating. I shot around this subject matter with the access of the hospital, and then wanted to film the process later on, starting a documentary in 2010 and finishing in 2013. Still photography was an excellent way to learn techniques of cinematography and the difficult process of learning how to tell a story visually. Filmmaking involves so much more to think about for documentary work with each portion of filmmaking its own world. Now I try to involve as many professionals as possible in my filmmaking.

A smartphone is held in the hands of a Buddhist monk in Nepal.

[Au]: It appears you have a deep respect and appreciation for all concentrations of art, even curating your own personal collection. What do you look for when purchasing a new piece? How do these pieces mesh with your own work?

JA: I’ve met a lot of photographers and filmmakers who look to other media for inspiration. Writing, music, film, painting, sculpture are very inspirational to me. Several good friends of mine, Zachary Proctor, Lane Bennion, CJ Hales, are all professional painters and have really been inspirational in terms of career, artistic understanding, and new ways of seeing. I would say their friendships have been invaluable to photography and filmmaking for me. I collect paintings for so many reasons. Maybe I love it because it has a quality that is so different from a photograph. I don’t choose paintings: they choose me! I don’t have specific things I look for. I’m not sure I know how my tastes in paintings mesh with my own work, though I think over the years, we have sometimes influenced each other.

The Grandview Overlook in Canyonlands National Park is a vast sea of desert.

[Au]:  What ignited your passion for the outdoors, and how has it broadened your creative perspective?

JA: My dad was brought up fishing the rivers around Pinedale, Wyoming and then he started backpacking the Wind Rivers – something that became rather sacred for my father. He never wanted to backpack anywhere else, actually. He started inviting me along around the age of ten, before we had any fancy outdoor clothing. We backpacked in jeans and t-shirts and external frame backpacks. I think we all enter photography from a love of something, and for so many of us, landscape photography is a beautiful entrance. Over the years, I have loved the exploration into other areas of photography, but will never pass up a good landscape. There is something really calm and fulfilling about being alone in the outdoors in good light. Don McCullin seems to have found a space in the landscape again after his many years of photographing war. It seems like a place we can all go to return to something.

A young woman wearing a winter hat holds a coffee mug outside.

[Au]:  Given your experience in both photography and educating others through workshops, what are some life lessons that you want to share with budding photographers?

JA: People starting to photograph seriously should look at as many photographs and photographers as possible early on. It seems important to explore all the avenues of photography; they’re so different. In addition, I worry sometimes when photographers seem guided by the concept of “what sells”. They may move away from images they really enjoy, but may take longer to establish a clientele from that particular style. The happiest and most successful photographers seem to be true to themselves and eventually find markets for their photography. I remember that I was scoffed at very early on for exhibiting a large portrait of a man in Nepal, being told by another photographer “that will never sell.” I’m glad I didn’t listen to him.

We’re also glad Joel didn’t listen! Otherwise, we wouldn’t have his fantastic outdoor, lifestyle and travel images on our site