We recently sat down with Geert Weggen, nature photographer based in Sweden, to discuss his "naturally staged" tableaux of wildlife, usually focused on red squirrels. You can see more of his fantastical, yet real, work here!
Aurora Photos: You have been featured on the internet a number of times (here, here, here...you get the picture) for your wonderful captures of, "squirrel lifestyle," let's call it. We have to ask. Why squirrels?
Geert Weggen: The amazing thing about squirrels is that they can do many things similar to humans. Their front legs are like hands and they can stand on two legs, like us. Besides all that, they can do even more...they're very acrobatic! With those talents, I can capture photos where people can imagine themselves in the scenes: Driving, riding horses, cleaning, opening doors, holding umbrellas etc.
I live in nature, with the forest literally next to my house. I built an outside studio where animals can come and go. With all the wild squirrels visiting me every day they are the perfect subject to take photos of.
Au: Can you describe your process and technique?
GW: My studio is about 30 square meters and has a half open roof and 2 open sides. The rain and snow can come in, but still my equipment will stay dry. I created a 2-meter square table, which is the same height as my kitchen window from where I can shoot. The flashes are on remote and I use a big reflector. There is always back light, which is why many times only ambient light is not enough. I create scenes on my table and put food in the places where I hope squirrels will come. Sometimes I have to clone away small food buckets or wires from my photos. Sometimes I can do four scenes in one day.
Au: Was there a trick you tried to get a squirrel to do that didn't quite work?
GW: There have been shots which I worked at for 5 days, but in the end I got my result. Like I had the idea that the squirrels were skiing in the snow, and I really wanted them to hold both poles in each hand. I am not a very patient man, but when I have an idea in my head it is hard for me to walk away. Sometime, I have difficulty capturing the squirrels with flowers; most of the flowers come from my garden, and there's a short window of time where they still look fresh.
I've had issues with mischievous squirrels in the past...some love to take props in to the trees and disappear before I can even take a shot. I lost a beautiful tea pot some years ago, though I was lucky then, and was able to capture the images I wanted before it disappeared. In fact, I FOUND IT this year in the forest, after all these years!
Au: What's the one shot you'd love to set up, but haven't tried yet?
GW: For 4 years now I've been photographing the red squirrels and I have literally worked with thousands of ideas, but there are still a few I haven't tried. It would be wonderful to capture two squirrels kissing, but I have no idea how to get them into that shot. I have captured squirrels sniffing each other, but these situations are impossible to plan.
Au: It’s a common saying in the business, "don't work with kids and animals”... would you say that's true?
GW: Well...It can be frustrating. I often find myself cursing. There are many potential issues...Of course there is wind, and weather problems, etc. In the winter days, I sometimes only have 3 hours of light, and it can be so cold that in 5 minutes I cannot feel the buttons on the camera, but all that is not even the biggest challenge. The animals do exactly what they want, and I have no control. They are always on the move and very quick! Photography is not really relaxing when they are in front of my camera; I need to be alert and very quick to capture those moments! Lucky for me, there are so many squirrels that I have many chances to capture what I hope for.
Au: Do you think some of the techniques you use on squirrels would work on kids?
GW: For me, the trick is food and trust. The animals are always looking for food and looking for it in my studio with me nearby. It takes a long time before they feel safe. Similar to deer, they are alert the whole time. However, when they started to trust me they naturally became curious and dared to challenge themselves in new situations. Whenever I set up a new scene, they almost go directly towards it and act like they are familiar with their new surroundings, and behave like I am not there.
I don't photograph children, but I guess it has a lot in common with how I approach photographing wildlife. Children need to feel safe so they can behave naturally and they like a reward as motivation. When I have a good shoot, and the wildlife cooperates, I will climb out my window to give them a nut, as a reward. I assume child-photography involves rewarding the kids when they cooperate and listen, as well. However, I do think you can guide children in a different way than squirrels.Here's a few action shots and behind the scenes of Geert's studio. You can see more of his furry friends in action here!