As attention spans continue to shrink and the cult of the instant gratification grows exponentially, material possessions hold less meaning, and no longer tether us to lands visited or memories. Cheap charlatan goods are everywhere for our pleasure, and we consume them with reckless commercial abandon. It's in this culture that Joe Klementovich found an inspirational antonym, and pursued a project around these artisans that create handmade crafts.
In a time of trade wars with China, border walls being built and sanctions being placed, it’s nice to find refuge in the studio of an artisan: a good old fashioned workshop, piled with sawdust, paint cans and scraps from long done projects. Time seems to slip away once you get inside one of these sanctuaries. In New England, there is a long and proud history of making things by hand, from scratch. For me, this project is a way of getting back to that history and appreciating the skill and effort it takes to create something from hand.
I think the first artisan I photographed was Fred Dolan. Fred carves birds from blocks of wood and makes them look real by the time he’s done. Since then I’ve been able to join jewelers, sculptors, boat builders, blacksmiths and others in their workshops. The latest was a fiddle maker in Northern New Hampshire who can tell you where each tree came from for all of his fiddles. Truly handmade.You can see more of Joe's work on the Artisan project, as well as other projects and campaigns, at https://www.klementovichphoto.com/Artisans
I have a degree in advertising from The University of Georgia and a commercial photography degree from Brooks Institute. At Brooks I was drawn to the coastal life and based a lot of my studies and subjects around the ocean and the beach scene. We had a school boat that would take us miles off the coast to the channel islands where we focused on underwater photography. After graduating I landed my first serious job with Costa Del Mar sunglasses who wanted to use me for both my above- and below-water editorial shooting style. My philosophy is to be a fly on the wall, documenting the entire experience. However, that does not mean I'm stationary; on the contrary, I am always in constant motion. Rig the fishing gear…hunt for the fish…catch the fish…jump in the water and release the fish, etc. If I can capture lifestyle in a way that pulls the viewer into that story than I have accomplished the mission!
Due to my risk-taking nature, my wife is not too keen on some of my adventures. However, it's this inherent risk, the essence of an adventure, that drew me to photography. I have been dragged by a bowline around my waist to shoot sailfish on the hook while running. I have been face to face with 18-foot white sharks without a cage for numerous National Geographic shoots. I have had to dodge families of Howler monkeys in the Panamanian jungle not happy with my presence...Whatever it takes!
This particular shoot was done to document a fishing feat that has not been accomplished by any woman in history. It’s called the grand slam of fly fishing. In order to earn the title, an angler needs to land three specific species of fish found in the Florida Keys on a fly: permit fish, bonefish, and tarpon. They must do this in one day's outing. The three women, amongst the best anglers in the US, all came from very different backgrounds: a college student from Florida, a mother of two who owns a fishing shop in Montana, and a young woman who is a fly fishing guide based out of Oregon.